From the famous Club d'Essai in 1958 to the Discoparades (1961 and 1962), Gainsbourg always knew how to find a word to announce his songs. We also hear him interpret a Chopin waltz on the piano or respond very shyly to the questions of Juliette Gréco who had spotted him in 1959. Some of his songs are already deliciously naughty or with double meanings and, for the most part, he accompanies himself on the piano.